How We Juneteenth

Friday, June 19, 2020

Juneteenth

Is

Brooklyn, N.Y., in the 1990s.Eli Reed/Magnum Photos

In

The Claiming

Gov. Andrew Cuomo of New York signed an executive order on Wednesday making Juneteenth a holiday for state employees; the same goes for tech companies like Twitter, and even where I work, at The New York Times. This year, Juneteenth, a holiday that celebrates the arrival of the news of emancipation from slavery, seems to be a bigger deal across the nation.

But there’s a conversation I’ve been having with my friends: Is celebrating this holiday enough to begin to fix all that’s so very broken? And, one tick further, is the national embrace of what has been known as the African-American Independence Day a dangerous idea? Some people wonder — if we sip on our traditional red drinks as we socially distance on screens and porches — will we be lulled into feeling more free than we really are?

Saidiya Hartman, the author of “Wayward Lives, Beautiful Experiments” and a 2019 MacArthur “genius” grant winner whose work explores the “afterlife of slavery in modern American society,” said: “How to live a free life, how one can live, is the pressing question for black folks in the wake of slavery’s formal end.” Ms. Hartman said that imagining a freer life and a more just society has been the purpose of generations of black people since the days of Reconstruction.

“Recently, I heard Angela Davis talk about the radical imagination,” Ms. Hartman said. “And a fundamental requirement is believing that the world you want to come into existence can happen. I think that that is how black folks have engaged with and invested in and articulated freedom, as an ideal and as an everyday practice.”

I couldn’t agree more. As someone who has celebrated Juneteenth for a long time, I think we need it now — not in lieu of the freedom, justice and equality we are still fighting for — but in addition, because we have been fighting for so very long.

The elemental sermon embedded into the history and lore of Juneteenth has always been one of hope. The gifts of the holiday are the moments of connection, renewal and joy for a people who have had to endure so much, for so long.

To me, Juneteenth matters because it says: Keep going, the future you want is coming. — Veronica Chambers

“Words of Emancipation didn’t arrive until the middle of June so they called it Juneteenth. So that was it, the night of Juneteenth celebration, his mind went on. The celebration of a gaudy illusion.” — Ralph Ellison, “Juneteenth”

Is

Emancipation Day celebrations in 1900 in Austin, Texas; right: a Juneteenth parade in Minneapolis in 1995.via Austin Public Library; Getty Images

a

Celebration

How We Juneteenth

Gina Cherelus

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Is

Mary Church Terrell.Smithsonian

in

Our Names

Ida, Maya, Rosa, Harriet: The Power in Our Names

Martha S. Jones

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Portraits by Hugh Mangum, circa 1900.From “Photos Day or Night: The Archive of Hugh Mangum, by Sarah Stacke.

The Stuff of Astounding: A Poem for Juneteenth
By PATRICIA SMITH

Unless you spring from a history that is smug and reckless, unless

you’ve vowed yourself blind to a ceaseless light, you see us. We

are a shea-shined toddler writhing through Sunday sermon, we are

the grizzled elder gingerly unfolding his last body. And we are intent

and insistent upon the human in ourselves. We are the doctor on

another day at the edge of reason, coaxing a wrong hope, ripping

open a gasping body to find air. We are five men dripping from the

burly branches of young trees, which is to say that we dare a world

that is both predictable and impossible. What else can we learn from

suicides of the cuffed, the soft targets black backs be? Stuck in its

rhythmic unreel, time keeps including us, even as our aged root

is doggedly plucked and trampled, cursed by ham-fisted spitters in

the throes of a particular fever. See how we push on as enigma, the

free out loud, the audaciously unleashed, how slyly we scan the sky

all that wet voltage and scatters of furious star—to realize that we

are the recipients of an ancient grace. No, we didn’t begin to live

when, on the 19th June day of that awkward, ordinary spring—with

no joy, in a monotone still flecked with deceit—Seems you and these

others are free. That moment did not begin our breath. Our truths—

the ones we’d been birthed with—had already met reckoning in the

fields as we muttered tangled nouns of home. We reveled in black

from there to now, our rampant hue and nap, the unbridled breath

that resides in the rafters, from then to here, everything we are is

the stuff of astounding. We are a mother who hums snippets of gospel

into the silk curls of her newborn, we are the harried sister on the

elevator to the weekly paycheck mama dreamed for her. We are black

in every way there is—perm and kink, upstart and elder, wide voice,

fervent whisper. We heft our clumsy homemade placards, we will

curl small in the gloom weeping to old blues ballads. We swear not

to be anybody else’s idea of free, lining up precisely, waiting to be

freed again and again. We are breach and bellow, resisting a silent

consent as we claim our much of America, its burden and snarl, the

stink and hallelujah of it, its sicknesses and safe words, all its black

and otherwise. Only those feigning blindness fail to see the body

of work we are, and the work of body we have done. Everything is

what it is because of us. It is misunderstanding to believe that free

fell upon us like a blessing, that it was granted by a signature and

an abruptly opened door. Listen to the thousand ways to say black

out loud. Hear a whole people celebrate their free and fragile lives,

then find your own place inside that song. Make the singing matter.

Martha Yates Jones and Pinkie Yates sitting in a buggy decorated with flowers for the annual Juneteenth Celebration in 1908.The African American Library at the Gregory School, Houston Public Library
The hands of Henry Brooks, a formerly enslaved man, in 1941.Library of Congress

Is a Gift

Annie Dunbar, Toni Tipton-Martin’s grandmother.via Toni Tipton-Martin

How The Women of the Jemima Code Freed Me

Toni Tipton-Martin

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A group of free men, women and children in Richmond, Va., in 1865.Library of Congress

Still

Overdue

How Reparations for Slavery Became a 2020 Campaign Issue

Emma Goldberg

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“Like a lot of Black women, I have always had to invent the power my freedom requires.” — June Jordan, from “On Call”

Texas, 1958.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History

“All you need in the world is love and laughter. That’s all anybody needs. To have love in one hand and laughter in the other.” — August Wilson, “Joe Turner's Come and Gone”

Texas, 1956.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History
Swimmers at pool in Exline Park in Dallas, Texas, in 1957.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History

“The function of freedom is to free someone else.” — Toni Morrison, commencement address at Barnard College

“The world is before you and you need not take it or leave it as it was when you came in.” — James Baldwin, “Nobody Knows My Name”

Texas, 1956.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History
A car on parade route at Texas State Fair. Dallas, Texas, 1955.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History
R.C. Hickman, a photojournalist who took the photos in this collection, posing with his camera.R.C. Hickman Photographic Archive/UT Austin Briscoe Center for American History
Rachel Cargle.Maiya Imani for The New York Times

Is Education

‘Dear White Women’: The Public Classroom of Rachel Cargle

Siraad Dirshe

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Is

Rikkí Wright

Self-Care

Rest as Reparations

Sandra E. Garcia

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